1 dB being loudest and -36 dB most quiet. RMS Level tells how loud you want the automixer to mix. This will ensure that the mix starts from song in your playlist and not from songs that are left in decks. 3.0 Automix settings window only has two options: You can choose to clear decks when starting Automix. To open automix settings, select 'Automix Settings' under Automix menu, see Picture 3.0. Sure everyone has their preferences, but certain things become a staple for a reason.Disco XT 3.5 User Manual As descriped in the previous part, fade types are not edited under 'Automix Settings'. I just have a couple different mics I prefer.When I see people taking that type of stance I feel like they do it just to try and stand apart from everyone else. But I wouldn't go so far as to say they sound "terrible", or even "bad". Or, lately, with people whose only experience with a given piece of hardware is via UAD emulationsĪnyway, disclaimer: I rarely use 57s on guitars myself. ![]() I just have a couple different mics I prefer. ![]() Fair enough, but what about when they put on a rock record? Do they hate the sound of virtually every rock guitar ever recorded? Can they pick out that minority of records where 57s weren't used?Īnyway, disclaimer: I rarely use 57s on guitars myself. Like, people who say they hate the sound of 57s on guitar amps, and find them totally unusable in that context. On the internet you also have to sometimes take opinions with a grain of salt, because comments can come from people with little to no real experience with the hardware or whatever it is they are commenting on as well.Or, lately, with people whose only experience with a given piece of hardware is via UAD emulationsĪnyway, one thing I always thought was funny/odd was people who were particularly adamant about a certain piece of gear being "terrible" on a source that it's kinda famous for being good on. Sometimes I the DBX sound is enough, sometimes I want more sound shaping options so I'll opt for the Distressor. For the record, I generally prefer DBX on kick and I'm undecided on the snare. So they snap with just a tad more bite, just a tad. ![]() The 160 compression also sounds just a tiny bit sharper than the Distressor. The Distressors do a huge range of compression sounds (for those willing to put the time in to explore), which includes a great hip hop drum sound, but you'll have to work a little harder to dial in exactly what you're after and for anyone who doesn't already own them there's a reasonably large cost involved in getting 'em. If nothing else the 160s will free up your Distressors for other channels without forcing you to sacrifice the overall quality of your drum sound. Also it's a sound you can dial up in about half the time it takes you to search for a good sound in the Distressors and one that is classically hip hop all the way. They are not nearly as versatile as the Distressors, they don't give you nearly as many compression sound options, but for a one-trick-pony they do a very, very good drum sound for a far cheaper price. In my opinion after running hours of comparisons, the DBX are still a worthy addition to any studio dealing extensively with hip hop.
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